12.30.2009

Review: Viveza 2 Image Editing Software by Nik

By Kerry Drager

Viveza 2 - the image editing program by Nik Software - just got better, says nature photographer Brenda Tharp.

"It has improved features for an already terrific program," says Brenda. "With Viveza 2, you now have global adjustments along with selective u-point adjustments, and they’ve added a Structure slider to bring out fine details. They also added shadow recovery."

Brenda teaches for the BetterPhoto.com digital photography school online, and you can read more about Viveza 2 in her Instructor Insights photography blog:

Review: Viveza 2 Image Editing Software by Nik

12.28.2009

New from Nik Software - Viveza 2

By Kerry Drager

Rob Sheppard - Outdoor Photographer magazine's editor at large - likes a number of things about Nik Software's latest version of Viveza. He particularly likes the original U-Point technology, which is "essentially an alternative to Photoshop’s adjustment layers and layer masks. You click on something in the photo you want to adjust."

What Viveza 2 does, Rob says, is add "some very nice global controls that allow you to quickly and easily adjust the overall image, plus you gain a new adjustment parameter called Structure."

Rob also teaches for BetterPhoto's online photography school, and you can read his review in the Instructor Insights photography blog: New from Nik Software - Viveza 2

Kerry

12.24.2009

Black and White Photography Techniques

By Kerry Drager

Professional photographer Deborah Sandidge has really gotten into the holiday spirit. She loves photographing snow and shares some outstanding black and white photography techniques. See her BetterPhoto Instructor Insights blog:

Black and White Photography Techniques

Have fun!

Kerry


P.S.: Deborah, by the way, teaches some excellent online Photoshop courses and Photoshop tutorials through BetterPhoto.com's digital photography school online.

12.23.2009

Understanding Depth of Field

By Kerry Drager

Getting the right depth of field can be a challenge in close-up photography ... i.e., getting enough sharpness in the subject while keeping the background soft. Of course, sometimes you want that shallow depth of field - for creative purposes - even when photographing an object that's flat.

But pro stock photographer Jim Zuckerman posted a great photography blog that tackles the subject of shooting flat subjects. And while his example doesn't have a distant background, the same principle applies: You can go with a wider aperture and keep the flat subject totally sharp if the camera is parallel to the subject. Read all about it here:

Understanding Depth of Field

Have fun checking out Jim's BetterPhoto Instructor Insights photography blog!

12.22.2009

Environmental Portraits: Travel Photography Tips

By Kerry Drager

"A great conversation piece" is how photographer Deborah Sandidge describes the digital camera - at least in terms of capturing wonderful environmental portraits!

"People stop to talk about photography, compare notes, point out locations - it's a great ice breaker," says Deborah.

In her Instructor Insights photography blog at BetterPhoto.com, she shares some excellent travel photography tips. Check it out:

Environmental Portraits: Travel Photography Tips

Enjoy!

12.20.2009

Soft Natural Light and Balanced Photo Design

By Kerry Drager


"Barn Art" by Kerry Drager - f/11 @ 1/90th sec.; ISO 200; 50mm lens


"Bike and Trees" by Kerry Drager - f/4 @ 1/30th sec.; ISO 200; 50mm

Bold colors, soft overcast light, and fun subjects always make an intriguing combination. This sure applied to my recent trip to Tennessee, where off-and-on rain provided ideal conditions for capturing a hot pink bicycle and eye-catching barn art.

Along with the right light and fine color, composition was an important ingredient too, especially the balancing of key elements in the scene. If you're going for a really tight composition - i.e., filling your picture frame with a subject - then such a balancing act may not come into play. But when you wish to shoot a "bigger" scene with multiple elements, balance is crucial for a successful composition. For example, in both of the accompanying images, I placed a subject on one side and a second subject on the other.

For Bike & Trees, the bicycle definitely attracted my attention first, due to its amazing color and interesting form. However, the trees really stand out, and in fact, they might even catch the viewer's eye first. I composed the image so that the bike and the group of trees balance off each other. Also, I used a wide aperture to isolate the sharp foreground subjects against a blurred background.

For Barn Art, the main focal points are clearly the cow paintings, which I carefully placed on the left. But the dark window on the white wall is important too in terms of overall balance.

Other thoughts:

  • Each photo was shot with the surprisingly versatile 50mm 1.8 Nikkor. It's a fixed focal-length, so you must "zoom" the old-fashioned way - with your feet :-) ... This Tennessee adventure was a quick trip, and the 50mm is one of my go-to lenses for traveling fast and light.

  • Since both scenes were stationary, I used my lightweight go-anywhere travel tripod (Manfrotto 3001BD legs with Really Right Stuff BH-25 mini-ballhead and quick-release plate) in order to ensure optimal picture quality but also to help fine-tune the composition.
Have fun looking, and finding, colorful subjects in fine light ... even on a "dreary" gray-or-white-sky day!

Misc. Notes: Learn more about taking better digital pictures in Kerry Drager's online photography workshop - Creative Light and Composition - which covers natural light, photo design and other topics. In addition, BetterPhoto.com's photography school offers extensive online photography education.

12.18.2009

Learn How to Become a Professional Photographer

By Kerry Drager

Take the fast track to success in BetterPhoto's yearlong professional photography program known as ClassTracks. You'll find out what it takes - and how to gain the skills - to become a professional photographer.

In the Making Money as a Photographer program, for example, you'll learn how to make money with your photography, learn how to master more artistic lighting and compositional skills, and learn how to consistently produce award-winning images. This ClassTrack involves eight months of online courses spread out over a period of one year - ideal for allowing flexibility for busy schedules.

The ClassTrack consists of a series of exciting courses from BetterPhoto.com's digital photography school. These online photo classes are fully interactive with top pros and cover online photography training in all aspects of photography and the digital darkroom - from beginners to intermediates to aspiring pros.

Are you ready to take your photography to the next level? Then learn how to become a professional photographer here...

12.17.2009

Learn Nature and Digital Landscape Photography

By Kerry Drager

Start mastering the artistic side of nature photography! In BetterPhoto's yearlong ClassTracks program, you'll learn to become a confident and fully-empowered photographer.

By enrolling in the ClassTrack for the Nature Photographer, you'll learn from professional photographers who specialize in nature and digital landscape photography. In addition, you'll learn to start producing award-winning nature and wildlife photos. The program consists of eight months of online courses spread over a one-year period ... ideal for people with busy schedules.

The ClassTrack consists of a series of exciting courses from BetterPhoto.com's digital online photography school. Each class is 100-percent online, yet is totally interactive among students and pro instructor. Best yet, you'll learn professional photography tips and techniques, and you'll get pro feedback on your work.

Instructors include such top professional outdoor photographers as William Neill, Jim Zuckerman, Lewis Kemper, Rob Sheppard, Jennifer Wu, Michael Frye, Douglas Steakley, Doug Johnson, and of course, myself :-)

Need more details on the ClassTrack for Nature Photographers? Learn nature and digital landscape photography here...

12.16.2009

Abstract Photography: Add a Sense of Depth

By Kerry Drager

Brenda Tharp is one of the most creative nature photographers around, and she captures so many eye-catching images of motion, abstracts, graphic design, etc. Her new photography blog discusses how to add a feeling of depth to abstract pictures.

For some great tips and techniques, read Brenda's BetterPhoto Instructor Insights photo blog here:

Incidentally, Brenda's online photo courses at BetterPhoto's digital photography school includes Creating Visual Impact.

As with any artistic camera techniques, it pays to practice and experiment. Have fun with your photography!

12.15.2009

Travel Photography Tips: Photo Opportunities Missed

By Kerry Drager

Good advice for any travel photographer: Never pass up a good photo opportunity in order to get to the next great location, to a restaurant or coffeehouse, or whatever, with the plan that you can return later to get the shot. I've learned the hard way - as have many other outdoor photographers - that the light could change, the subject may disappear, etc.

Keep this in mind: If you see an outstanding photo opportunity, then shoot the scene right now ... do not wait!

Top stock pro Jim Zuckerman covers this subject in a terrific BetterPhoto Instructor Insights photography blog:

Travel Photography Tips: Photo Opportunities Missed

Enjoy!

Kerry

12.10.2009

Photographing Night Scenes

By Kerry Drager

The historic street lamps at the Los Angeles County Museum of Art look great anytime of day, but especially at nighttime. Pro photographer Jim Zuckerman describes two techniques - one with flash and the other with ambient light - in photographing night scenes.

Check out Jim's BetterPhoto Instructor Insights blog, in which he includes two extremely striking photos:

Night Photography Techniques in Los Angeles

Jim, by the way, also teaches an awesome online photo course in flash photography basics and another online photo tutorial on digital camera exposure.

12.09.2009

When Do You Use a Polarizing Filter?

By Kerry Drager

As my online photo students know, I love the circular polarizing filter for my outdoor photography. But I most commonly use it on non-sky, reflective scenes in order to pump up the colors by reducing the glare ... on sunny days, overcast days, just about anytime!

In his excellent Instructor Insights blog at BetterPhoto.com, Douglas Steakley tackles the subject of polarizers:

http://insights.betterphoto.com/2009/12/when-do-i-use-a-polarizing-filter.html

Enjoy!

Kerry

White Balance for Outdoor Photography

By Kerry Drager

BetterPhoto instructor Jim Zuckerman shoots all of his outdoor photos with a daylight white balance. Jim wrote an excellent piece on the subject, accompanied by an awesome photo. See his BetterPhoto Instructor Insights blog:

http://insights.betterphoto.com/2009/12/white-balance-for-outdoor-photography.html

For the record, I also use a daylight WB (I've made it the default setting on my Nikon DSLR), and I always shoot in Raw too. :-)

12.07.2009

Polarizing Filter: Beyond the Blue Sky!

By Kerry Drager

The polarizing filter has long been known for deepening a light blue sky. But it's so much more than that. Most importantly, the circular polarizer reduces glare and boosts colors on reflective surfaces such as glass, water, wet rocks, foliage, painted metal, etc. - even on an overcast day.

Recently on the downtown streets of Sacramento, California, I saw the scene below (the non-polarizer photo). I nearly walked right by, since the faint color in the windows wasn't very noticeable. On a whim, however, I pulled out the circular polarizing filter and was surprised - and pleased - to see how it brought out the bold and natural colors of the building.


No polarizer!


Polarizer used here to cut glare, beefed up color!

Tip: For a quick preview of the polarizer's possible effect, hold the filter up to your eye and turn it to see if any polarization occurs (reduction of glare and deepening of colors). If it works, then attach the polarizer to your D-SLR camera lens. You then rotate the filter in its mount in order to get the right orientation (best effect).

There are many excellent brands of filters available for digital cameras. I shoot with a Nikon D-SLR and use the Nikon polarizing filter.

Incidentally, I discuss the use of the polarizer in both of my online photo courses - Creative Close-ups and Creative Light and Composition - that I teach at BetterPhoto.com's digital online photography school.